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Greeted by superlative reviews along with the rare distinction of Bruce appearing on the covers of the news weeklies Time and Newsweek within the same week, Born to Run put Springsteen on the map and over the next few years he worked hard, touring regularly with the E Street Band and releasing the acclaimed, successful records Darkness on the Edge of Town and The River.

Here, Springsteen turned the working class into myth but that same sense of romance was evident in his rock & roll, surfacing spectacularly on his 1975 album Born to Run. The E Street Band allowed Springsteen to touch upon all of his beloved music - rock & roll, soul, jazz - yet he would still step outside the band to do an occasional solo project, often acoustic-oriented excursions into folk where he'd deliberately pick up the story-telling torch left behind by Woody Guthrie.

He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective the E Street Band, a group who debuted on his second album, 1973's The Wild The Innocent & The E Street Shuffle, and who would support him through most of his career. Unlike any of the other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal.